Andrew Martin Smith
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GENERALIZATION OF HARMONIC PROGRESSION

All harmonic progressions, regardless of style, adhere to the following guidelines:
  1. roots change between adjacent chords;
  2. relative strength of chord roots is varied by inversion and voicing, with chords that possess strong roots acting as harmonic goals or pillars;
  3. relative tension between chords ebbs and flows through changes in dissonance and density;
  4. functional categories of chords are created through maximal similarity (i.e., common tones);
  5. voice-leading governs the coherence of the musical surface.
Whether writing in an tonal, pantonal, or modal context, if a composer desires a sense of harmonic movement, the aforementioned guidelines warrant careful consideration.

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ADJ•ective New Music
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